"For over 90 years, there has been a concerted and relentless effort to disparage, denigrate and obliterate the reputations, names, and brilliance of the academic artistic masters of the late 19th Century. Fueled by a cooperative press, the ruling powers have held the global art establishment in an iron grip. Equally, there was a successful effort to remove from our institutions of higher learning all the methods, techniques and knowledge of how to train skilled artists. Five centuries of critical data was nearly thrown into the trash. It is incredible how close Modernist theory, backed by an enormous network of powerful and influential art dealers, came to acquiring complete control over thousands of museums, university art departments and journalistic art criticism" http://www.artrenewal.org/articles/Philosophy/ArtScam/artscam.php

BARTHOLOMEUS, Johannes van Hove

    Bartholomeus Johannes van Hove (born The Hague, October 28, 1790 – died there November 8, 1880) was a Dutch painter and the father of Hubertus van Hove. He played an important role in the development of 19th-century painting by his many disciples. He was able to teach his skills to a large group of artists, of whom especially Johannes Bosboom and Johan Hendrik Weissenbruch would rise to great heights.Van Hove was a pupil of his father, Hubertus van Hove the Elder and the theater painter JHAA Breckenheijmer, and was appointed headmaster in 1820 at the Hague Academy Teeken. In 1823 he was commissioned by the War Department to illustrate the variety of Dutch army uniforms in a series of pen drawings. Van Hove was also a decorative artist and in 1829 he succeeded his teacher JHAA Breckenheijmer as a stage painter at the Hague Theatre.
     In the painting world of The Hague he was a public figure and in 1847 he was one of the founders of the Pulchri Studio. He also became the first president of this group, a position he held until 1851. He was also a member of the Amsterdam-based Arti et Amicitiae, of which he became honorary chairman in 1874.
     Van Hove painted mostly cityscapes and church interiors in a romantic style. His early works are characterized by a fine, detailed painting style, which strongly contrasts with the broad, colorful stage sets. His cityscapes and church interiors were often decorated with figures, sometimes done by his son Huib. His later cityscapes are looser and smoother in tone with a tailored gray coloration.














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