"For over 90 years, there has been a concerted and relentless effort to disparage, denigrate and obliterate the reputations, names, and brilliance of the academic artistic masters of the late 19th Century. Fueled by a cooperative press, the ruling powers have held the global art establishment in an iron grip. Equally, there was a successful effort to remove from our institutions of higher learning all the methods, techniques and knowledge of how to train skilled artists. Five centuries of critical data was nearly thrown into the trash. It is incredible how close Modernist theory, backed by an enormous network of powerful and influential art dealers, came to acquiring complete control over thousands of museums, university art departments and journalistic art criticism" http://www.artrenewal.org/articles/Philosophy/ArtScam/artscam.php

KLOMBECK, Johann Bernhard (1815-18193)

        Even he is actually a german painter,  I included this painter here because he dedicated all his artistic life to flemish painting. His teacher was B. C. Koekkoek and I don t have to say more abaut it.
        Johnan Bernard Klombeck was born in Germany on 1st July, 1815 and he was raised in the dukedom of Kleve, which is close to the Dutch boarder near Nijmagen. His father was the tailor Heinrich Klombeck (1873-1866) and his mother was Marianne Tinthoff (1777-1850) who was the half sister of the painter Matthais Tinthoff (1794-1881). Matthais specialised in portraiture and genre scenes and it was he who gave Johann Klombeck his first art training.
       In 1834 the greatest Dutch Romantic landscape painter of all, B.C. Koekkoek, came with his wife to live in Kleve. In 1841 Koekkoek founded an Academy in Kleve and Klombeck and his uncle were among the first members. This was to have a most profound and lasting influence on Klombeck who came to be regarded as one of Koekkoek's finest pupils. Klombeck exhibited his landscapes at the Kleve Academy and also in Nijmagen. Between 1843 and 1856 he was a frequent participant in international salons, including Amsterdam, Rotterdam, The Hague, Dresden and Berlin.
       Klombeck became a leading member of the Romantic Scool and he was the foremost representative of the Kleve Academy when B.C. Koekkoek died in 1862. Romantic motifs such as prominent trees and ruins, stormy weather and figures fighting against the elements, played an important part in Klombeck�s oeuvre. Compositions with diagonal elements, such as tracks and streams disappearing into the background, are features strongly reminiscent of the works of Koekkoek and which Klombeck often featured in his paintings.
        It is thought that Klombeck was introduced to the great Belgian animal and figure painter Eugene Verboeckhoven by B.C. Koekkoek, who had himself collaborated with the artist in 1844. Klombeck first worked with Verboeckhoven in 1856 and frequently did so thereafter.
        In 1865 Klombeck was given an honorary post at the Craftsman's School in Kleve and he continued to exhibit until 1882. The artist died in Kleve on 28th November, 1893


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